Masoumeh Momeni; Seyyed Saeed Hashemi; Mohammad Hossein Imani Khoshkhoo; Mansour Ghanian
Abstract
Nowadays, creativity has become a strategy in tourism development; cities and regions that want to increase their attractiveness to the creative class must support creative industries. Intangible cultural heritage (ICH), as a unique advantage in the tourism industry, provides global competitiveness for ...
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Nowadays, creativity has become a strategy in tourism development; cities and regions that want to increase their attractiveness to the creative class must support creative industries. Intangible cultural heritage (ICH), as a unique advantage in the tourism industry, provides global competitiveness for the community. Sustainable tourism approaches are needed to transition and promote ICH as a sustainable tourism resource successfully. Accordingly, this study investigates the role of women's creativity in developing intangible cultural heritage with a creative tourism approach. The statistical population of this study is women in the Uramanat region and tourists in the area. A sample of 360 people from each community was selected by purposive and available sampling. Creativity with measurement approach and value creation and development of intangible cultural heritage with the dimensions of preserving originality, empowerment, maintaining the meaning of content, emphasizing identity, parallel development of tourism, and heritage protection was measured by a researcher-made questionnaire whose validity was assessed using construct validity. Cronbach's alpha and composite reliability were used for instrument reliability, and both were acceptable. The studied model was tested using the least-squares approach. Findings showed that creativity has a significant positive effect on the development of intangible cultural heritage. In many destinations, the development of creative tourism, one of the rapid branches of economic growth, and the development of intangible cultural heritage in the tourism industry are essential.
Mehrnoosh Bastenegar; Ali Hassani
Abstract
By producing the paradigm of creative tourism, the knowledge increasing discipline of tourism invites tourists to visit and interact with the unique and live culture of societies instead of just sightseeing in museums and ancient monuments. In this paradigm, tourists engage all of their senses in the ...
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By producing the paradigm of creative tourism, the knowledge increasing discipline of tourism invites tourists to visit and interact with the unique and live culture of societies instead of just sightseeing in museums and ancient monuments. In this paradigm, tourists engage all of their senses in the creation of their unique experience and improving their relations with local people from seller/buyer to a master/apprentice level. Not only the cultural capital but also the social capital would be increased from this interaction. The main goal of this research is to show that, contrary to what appears at first, the creative domain of gastronomy is a spiritual one and flourishing local communities and creative tourism based on this paradigm can evolve the wellbeing and material life of inhabitants and tourists as well. Moreover, this includes significant spiritual endowments both for guests and hosts in the creative gastronomic destinations. Creative tourism based on gastronomy regards new looks to local communities as the first step in creating unique and added value experiences including economic, human, and social values. In creative tourism, locals and tourists will open their eyes on the destination in completely new ways, so that they could see better in creating new and valuable experiences. This definition is closely related to the Quranic command of “The man must consider what he eats”. In this research, using thematic analysis and Delphi method, it is shown that the components of spiritual perception have significant overlaps with the components of gastronomic creative tourism. Factors such as “comfort and satisfaction”, “Giving meaning to life”, “interaction with others”, “friendship with nature and environment”, and “surrender and thanksgiving “, as the components of the spiritual understanding, showed common and undeniable spaces with the components of creative tourism. These components include “authentic experiences “, “active participation “, “learning”, “self-esteem and self-awareness”, “new products and processes”, and “new spaces”. Based on our results, each of these components has their own proprietary domains and non-negligible common spaces, and even in some cases are subsets of each other.
Mehrab Sadeghnia; Hamideh Amiryazdani
Abstract
The main motivations behind creative tourism, as a new form of tourism in the postmodern world, consist in achieving a new understanding of the “self” and the pursuit of “meaning,” “identity,” and “authenticity,” which have transformed the paradigm of tourism. ...
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The main motivations behind creative tourism, as a new form of tourism in the postmodern world, consist in achieving a new understanding of the “self” and the pursuit of “meaning,” “identity,” and “authenticity,” which have transformed the paradigm of tourism. With the development of the phenomenon of “spiritualism” in our time in which people turn away from the religion as a predetermined and organized phenomenon, in these new styles, the criterion is not to discover the religious other; it is to discover the self in the other. In this paper, we introduce the essential difference between creative tourism as an instance of postmodern tourism and cultural tourism, and we will examine the component of spirituality in creative tourism, and then elaborate the former as an opportunity for the development and understanding of religious beliefs and a ground for the creativity of the religious culture. Using historical-hermeneutical approach, this paper examines the concept of "spirituality" in lived travel experience of a creative tourists and argues that when discussing spirituality of tourism, one potential avenue is flourishment of religious creativity. A key objective of this paper therefore, is to provide an initial mapping of, and insights into this territory.
Ali Hasani; Mehrnoosh Bastenegar
Abstract
Spirituality is a universal and human phenomenon which is not restricted to any religions or religious groups. In fact, spiritual experiences are thought of as special human experiences which give meaning to life. Such enlightening experiences make man connect to a higher being. Therefore, spiritual ...
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Spirituality is a universal and human phenomenon which is not restricted to any religions or religious groups. In fact, spiritual experiences are thought of as special human experiences which give meaning to life. Such enlightening experiences make man connect to a higher being. Therefore, spiritual tourism is a journey on which a traveller achieves a perception of spiritual experiences. Such experiences can be gained on a long walk with a group of sympathetic fellow travelers towards religious destinations. They may also be achieved while watching a pristine view of the nature which enables the viewer to understand the creator of the scene and reach deep meanings through a creative insight. Creative tourism is mostly manifested as a form of inner expression and discovery, a tool of improvement in identity and distinction or a search for the expansion of capabilities and experiences as well as an ability to reflect the life purposefully. This type of tourism belongs to self-actualizing individuals. In fact, they are educated people who seek to give meaning to life. Therefore, the creative tourism theory is the closest approach to tourism combined with spirituality. These two categories overlap with each other significantly. In this qualitative study, the two-stage Delphi technique and desk research method were used to verify this hypothesis. Creative tourism can be thought of as a new paradigm of tourism or the third generation after coastal tourism and cultural tourism. It can also be considered an evolved type of cultural tourism which pays more attention to the intangible heritage rather than the tangible one. In either case, it is a form of network tourism in which values are created collectively through available relationships and the flow of social relationships and capital in networks. Therefore, its new management models and strategies should be identified and applied. In the current study, the desk research method was used to identify such models. Then the two-stage Delphi technique was employed to verify them.